How many of us are aware that the Topolino played a major part in the post-war 500cc racing category?

The overwhelming majority of the early cars used many Topolino parts. The suspension and wheels were most commonly used, with the steering, brakes and the chassis also being used by many of the cars. Motorcycle engines supplied the power.

The following photos and text are taken from the book 500cc Racing by Gregor Grant. This book was published in the early fifties when 500cc racing was at its height. I bought it back then for the princely sum (for a schoolboy) of 17/6.      (Tony Andrews)

Please be aware that I have only given a few extracts from the book in order to give some of the flavour of the whole story.

 

The beginnings

MODERN 500-c.c. racing is a direct descendant of the early cyclecar movement. Before the Kaiser war, the introduction of the G.N. and the Morgan three-wheeler paved the way for a form of racing that was to survive for many years, and provide scores of folk of comparatively modest means with the opportunity of taking part in real motor racing.

The efficient motor-cycle engine has always attracted the attention of racing men. Its simplicity and low cost in comparison with multi-cylinder power units have provided a basis for the construction of countless specials, many of which were built by people with very limited resources, both in regard to finance and equipment ...

The 500 Club


THE first real get-together of the 500 Club took place on the week-end of May 3-4, 1947, at a spot which must be for ever nameless. One of the members was, at that time, gaffering an airfield in the Midlands, and he sportingly invited the club to the station. When one realizes the almighty rocket that would have descended on him if the brasshats had uncovered the plot, the enthusiasm that made him risk all can never be too highly commended.

Invitations were sent, mostly by word of mouth, and the onus of getting everyone assembled at a pub named the "White Hart" fell on the shoulders of Secretary John Siddall. It was by no means an epic of organization. No one told John that the "White Hart" was the favourite name of nearly a score or so hostelries in that part of the world.

As a result, parties of guests were dispersed in sundry saloon and four-ale bars in every possible corner of the county . The general alarm was sounded. Scouting parties were sent out. Eventually everyone was rounded up and set off in convoy for the station.

That evening there was plenty of fun and games. John Siddall was persuaded to do some of his noted smoking concert characterizations. He and I also put in some hard work at the piano, with everything from "I can wash a sailor shirt" to boogie-woogie.

Dick Cresar brought along some CAP A reels, and the R.A.F. rustled up a projector. Unfortunately, this was a talkie machine which ran at more than double the speed of a silent projector. The audience were treated to a remarkable film show. Cars streaked round the circuit at fantastic speeds, whilst well-known Bristol figures appeared and disappeared with astonishing rapidity ...

Colin Strang

Without a doubt modern 500-c.c. racing owes a great deal to Colin Strang. He built the first successful "500," and the performance of his superbly executed little car did more than anything else to put the class on the racing map. Many of his ideas are incorporated in Formula 3 cars of to-day; for instance, Strang used a modified Fiat front-end, put a motor-cycle engine at the rear, and drove the wheels via a motor-cycle clutch and gearbox. He also used hydraulic brakes. The Strang layout is now standard 500-c.c. practice ...

Cooper and the Coopers

WHEN one thinks of 500-c.c. racing, the name Cooper automatically comes to mind. The marque has a wonderful record of successes, and is easily the best-known "500" in the world today. From this small concern in Surbiton comes a steady flow of soundly constructed racing cars which are Great Britain's first line for the International Formula 3 offensive.

The original Cooper Special was no drawing-board machine. After being demobbed John Cooper entered his father's motor business. He was already an ultra-small-car enthusiast, having owned an 172-c.c. Villiers-engined car when he was nine years young. This was built for him by Charles Cooper, who at that time was chief mechanic to Kaye Don, then at the height of his racing career

When Colin Strang and Clive Lones were demonstrating the possibilities of half-litre racing cars early in 1946, John decided that he, too, would like to have a smack. The Cooper family doesn't believe in wasting much time. Pa and John and Eric Brandon put their heads together, and in June, 1946, work was started on the first Cooper "500."

A couple of Fiat "Mouse" front ends were procured, and these were attached to each end of a simple box-section frame, thus supplying individual suspension to all road wheels. The Fiat disc wheels were retained, complete with their invaluable hydraulic brakes, and the Fiat steering was centralized.

Behind the driver was installed a single-cylinder five-stud Speedway J.A.P. engine, mounted vertically, and driving by a primary chain to a four-speed Triumph motor-cycle clutch and gearbox. Final drive was by a single chain to a solid axle, the drive being transmitted to the rear wheels via short shafts, supplied with Ford Anglia universal joints.

The bodywork was beautifully carried out, being hand. bashed from sheet aluminium. The frontal area was extremely small, and a single, horizontal slat admitted the air stream which passed cooling air to the engine via a large-bore vent pipe This pipe passed along the near side of the car, and terminated at the cylinder head, close to the exhaust valve. A wedge shaped fuel tank was mounted above the engine~ it was shaped to the body contour, and the thick end acted as a head-rest for the driver.

Slots were cut in the nose and the tail, through which passed theFiat transverse leaf springs. A smaller slot was cut in the scuttle on the driver's offside for the handbrake. This handbrake operated on a single motor-cycle brakedrum.

The car was completed in five weeks, only just in time for the July 28th hill-climb at Prescott. The night before Saturday practice day, John Cooper and Eric Brandon sneaked the car out on to the public highway. During one run the gearbox mounting fractured. This was rectified by working well into the "wee sma' 'oors." However, the Cooper safely arrived at Prescott in time for practice runs.

I well recall the car being pushed to the line for its maiden trip. It was fairly batting with rain. and crowds of figures, clad mostly in W.D. gas capes, crowded round the interesting new-comer. After a few hefty shoves, the J.A.P. burst into life, emitting a healthy crackle from the exhaust pipe which passed through the apex of the tail. John built up his revs. in true Mays manner, and as the hockey stick was applied to his front wheels, he banged in the clutch. The car surged forward a few inches, there was a loud clan,. and then an ominous silence. Both engine bearer tubes had parted company from the frame.

Undaunted, Cooper and Brandon scoured the local country-side for anything which would serve as a jury-rig. Brandon happened to know a chap who had a garage in Hereford, about sixty miles from Prescott. There a plough handle shaft and a bus track rod were discovered, and these were pushed through the broken tubes, then pinned and welded. I had a look at this repair, and it certainly didn't look very artistic. Pa Cooper arrived shortly afterwards with some new bearers made from solid bar, but after a short conference he decided that the plough struts would just about hold together ...

 

(And how I wish I could print the whole book ... Tony A)

Competitors getting ready for a race on the excellent one-mile circuit at Brands Hatch, near Sidcup. No. 23 is John Cooper's Cooper - J.A.P.

 

The Strang as it appeared for the 1948 season. Note the megaphone exhaust.

 

Eric Brandon at Prescott in 1947, with one of the two original Coopers.

 

Fiat-inspired Cooper suspension.

 

Wing-Com. Frank Aiken's famous Triumph-powered machine, just before completion. (May, 1947)

 

George Hartwell with the Norton-engines Monaco. (1948)

 

C.J.Tipper at Luton Hoo in 1949, with the Monaco.

 

Don Parker (Parker-J.A.P.)